Holy and Great Tuesday: The Hymn of Kassiani the Nun

THE HYMN OF KASSIANI THE NUN - 4th Plagal Tone

Glory to the Father, and to the Son, and to the Holy Spirit, now and ever, and to the Ages of Ages. Amen.

The woman who had fallen into many sins recognizes Thy Godhead, O Lord. She takes upon herself the duty of a myrrh-bearer and makes ready the myrrh of mourning, before Thy entombment. Woe to me! saith she, for my night is an ecstasy of excess, gloomy and moonless, and full of sinful desire. Receive the sources of my tears, O Thou Who dost gather into clouds the water of the sea; in Thine ineffable condescension, deign to bend down Thyself to me and to the lamentations of my heart, O Thou Who didst spread out the Heavens. I will fervently embrace Thy sacred feet, and wipe them again with the tresses of the hair of my head, Thy feet at whose sound Eve hid herself for fear when she heard Thee walking in Paradise in the cool of the day. O my Savior and soul-Saver Who can trace out the multitude of my sins, and the abysses of Thy judgment? Do not disregard me Thy servant, O Thou Whose mercy is boundless.

HISTORY

Saint Kassiani is one of the first composers whose scores are both extant and able to be interpreted by modern scholars and musicians. Approximately fifty of her hymns are extant and twenty-three are included in the Orthodox Church liturgical books. The exact number is difficult to assess, as many hymns are ascribed to different authors in different manuscripts and are often identified as anonymous. In addition, some 789 of her non-liturgical verses survive. Many are epigrams or aphorisms called "gnomic verse." An example: "I hate the rich man moaning as if he were poor."

Byzantine Music as an "Art of Music and Art of Therapy"

Byzantine Music is an art of prayer, an art of spirituality, because it is a component of the worship of the Church, and thus a spiritual event in the life of a Christian, for by this art God is glorified.

To celebrate the launch of the Triodion, it would be good to emphasize the importance of Byzantine Music as a means of therapy for people from situations which the period of the Triodion makes customary, and at the same time affect man spiritually.

The "Carnival" is also a custom, where man gives himself freely to the influences of the fun and revelry of the days, thinking that the songs and music will help him cleanse his soul from the problematic situations that bind him. And, to be clear, I am not referring to traditional music which is part of worship, since after every ecclesiastical feast there follows a celebration with traditional music and traditional dances, expressing popular piety, but I am referring to songs and dances which mislead people away from a true relationship with the Church and culture.